k-a-t-i-e-:

The Clash at the Detroit Masonic Temple
September, 1979

k-a-t-i-e-:

The Clash at the Detroit Masonic Temple

September, 1979


brooklynheavymetal:

Mick Jones, Viv Albertine and Paul Simonon by Jane Ashley 

brooklynheavymetal:

Mick Jones, Viv Albertine and Paul Simonon by Jane Ashley 


theunderestimator:

Paul Simonon & Mick Jones of The Clash, Glen Matlock of The Sex Pistols & members of Steel Pulse demonstrating outside National Front Leader Martin Webster’s house in 1977 (photographed by Caroline Coon).
"Wedlock In Dreadlock": The punk & reggae connection weekly tribute (pt 6)

"…Black and white unite in staging an anti-racism demonstration outside the headquarters of the National Front in early 1977. The protest, a year before the Rock Against Racism concert in Victoria Park, united white punk with black roots reggae.  The two genres of music were booming in the UK at this time. A combination of huge cuts in welfare by a Labour Government under pressure, wage freezes and mass unemployment, along with the uninspiring glam rock and disco that dominated the radio during the mid 1970s, proved to be the perfect breeding ground for the political and religious messages of punk and roots reggae…”
(via)

(More stuff on "Wedlock In Dreadlock": The punk & reggae connection weekly tribute, here)

theunderestimator:

Paul Simonon & Mick Jones of The Clash, Glen Matlock of The Sex Pistols & members of Steel Pulse demonstrating outside National Front Leader Martin Webster’s house in 1977 (photographed by Caroline Coon).

"Wedlock In Dreadlock": The punk & reggae connection weekly tribute (pt 6)

"…Black and white unite in staging an anti-racism demonstration outside the headquarters of the National Front in early 1977. The protest, a year before the Rock Against Racism concert in Victoria Park, united white punk with black roots reggae.

The two genres of music were booming in the UK at this time. A combination of huge cuts in welfare by a Labour Government under pressure, wage freezes and mass unemployment, along with the uninspiring glam rock and disco that dominated the radio during the mid 1970s, proved to be the perfect breeding ground for the political and religious messages of punk and roots reggae…”

(via)

(More stuff on "Wedlock In Dreadlock": The punk & reggae connection weekly tribute, here)



k-a-t-i-e-:

The Clash, 1977
by Adrian Boot 

k-a-t-i-e-:

The Clash, 1977

by Adrian Boot 


omg i miss blogging about mick jones aw): love u mick. and miss this blog

posted 2 weeks ago with 1 note




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